REBECCA KERLIN.
Mixed Media,Sculpture
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In the ongoing Constructions 1 series, I'm looking at the tension between digimodernist historical dislocation and the temporal requirements of perception. The series archivally combines nonhierarchical casual documentary imagery with archaic media and techniques in layered points of view to expose the need for context in communication while referring to biological mental processes, which fabricate spatial awareness and visual continuity from streams of disjoint sensory input.
The giclée prints are unretouched artifacts of the camera's resolution and programmed responses to light and distance and the default computer and printer image handling and printing process. The paint palette is restricted to pigments corresponding to the Epson UltraChrome eight-color palette. Wooden substrates are fabricated of construction-grade materials and finished on the ground.
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